2,514 Royalty-Free Audio Tracks for "A Flat Chords"

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The "Schwencke measure" added to J.S. Bach's Prelude in C Major BWV 846
Author: Hyacinth
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Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.
Author: . The original uploader was Hyacinth at English Wikipedia.
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Harmonic Chord 3:5:7:9. Traditional notation: G E B♭ D. Title refers to harmonics (fundamental=1:3:9:etc.).
Author: Sciurid
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D flat minor on acoustic guitar.
Author: Unclesigmund
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E flat minor9 chord on acoustic guitar.
Author: Unclesigmund
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E flat minor7 chord on acoustic guitar.
Author: Unclesigmund
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Billy Murray sings "You're a Grand Old Flag". This recording contains the second of three sets of lyrics written for the song. ("You're a grand old flag, tho' you're torn to a rag...")
Author: Music and lyrics: George M. Cohan (1878-1942) Performer: Billy Murray (1877-1954)
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Scriabin, Sonata Op.5 Op.53. Meas.263-264
Author: Scriabin
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Truck driver's gear change, modulation up a whole step, in "Because the Night".
Author: Hyacinth
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Українська: Й.С. Бах. Фуга dis-moll з І тому ДТК. Виконує Андрій Бондаренко. Запис здійснено апаратурою ВМУА на кабінетному роялі з хоровим строєм. Johann Sebastian Bach: Fugue in D-sharp minor, BWV 853, from Well-Tempered Clavier, vol. I. Performed by Andriy Bondarenko. The piano has a choir-like tuning, sorry :)
Author: A1
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Consonant harmonies based on the odd harmonic overtones 3/5/7/9.
Author: Created by Hyacinth (talk) 14:56, 30 June 2010 in Sibelius with midi pitch bend on 5 different instruments.
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Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.
Author: Created by Hyacinth (talk) 06:08, 6 July 2009 using Sibelius 5.
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Sergei Rachmaninoff performing Waltz in E flat major, Op. 18. Composer: Chopin. Instrument: Steinway concert grand piano. Valse en mi bémol majeur, op. 18 de Chopin, interprétée sur un grand piano Steinway par Sergei Rachmaninoff en 1921.
Author: Untitled
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Chord rewrite rules II: use of chromatic passing chords.
Author: User:Hyacinth
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Created by Hyacinth (talk) 19:12, 18 January 2011 using Sibelius 5.
Author: User:Hyacinth
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Augmented chord progression: I+#6 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
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iv IV I V chord progression.
Author: Desherinka
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Augmented chord progression: I+ IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]
Author: Hyacinth
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Harmonic progression from a Mozart piano sonata--sound file. Piano Sonata in G, K. 283, third movement, starting measure 247. Digital recording by Opus33 using Wavesurfer software. Transcription into chords by Opus33, loosely following Piston and DeVoto, Harmony. This music is in the public domain. The recording is not copyrighted, and it is hereby released by its creator (known in this context by the pseudonym Opus33) into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
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Chord rewrite rules I: replacement or substitution of a chord by its dominant or subdominant.
Author: User:Hyacinth
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Chord progression by descending thirds from mediant to supertonic resolving to dominant.
Author: Created by Hyacinth (talk) 20:27, 22 December 2010 using Sibelius 5.
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